The Crowd Will Always Return
Chris Marker resonates in the dedication and spirit of this film about memory and resistance. A video essay by Carolina Astudillo, an explorer of individual and collective pasts, in the limbo between Chile and Spain, about the resignification of spaces, about how a stadium can become a mass prison or a university city a huge trench. On the registration of images as an act of insubmission.
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KoyaanisqatsiFilm, 1983Rated 7.9 on TMDB
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.







