Je, Nous, I or Eye, Us
"The film Je, Nous, I or Eye, Us is a mini essay that replies to a question about subjectivity in the 1970s while I was making my film 'The Camera Je, La Camera: I' about taking photographs. The new film from 2014 uses footage shot at the time of The Camera: Je but never used in 1976 and 1977 and adds to the 16mm film a series of titles about a photographer’s subjectivity then and now." (Babette Mangolte)
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CamerapersonFilm, 2016Rated 6.7 on TMDB
As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.
