Chronique de voyage

In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.

Filmmaking icon Agnès Varda, the award-winning director regarded by many as the grandmother of the French new wave, turns the camera on herself with this unique autobiographical documentary. Composed of film excerpts and elaborate dramatic re-creations, Varda's self-portrait recounts the highs and lows of her professional career, the many friendships that affected her life and her longtime marriage to cinematic giant Jacques Demy.

Longing for a baby, a stripper pursues another man in order to make her boyfriend jealous.

Laurel and Hardy try to entertain a female neighbor, unbeknown to Hardy’s wife.

A grizzled, hard-of-hearing cowboy, Slim, and his two friends, Dusty and Pete, capture a mysterious, well-dressed Frenchman.

Two disruptive theater patrons, the wealthy drunk Mr. Pest (played by Charlie Chaplin) and the rowdy working-class Mr. Rowdy (also played by Chaplin), attend a live vaudeville theater production. Their constant antics, seat-hopping, and physical altercations quickly overshadow the acts on stage and plunge the entire theater into absolutely hilarious chaos.