Rated 10.0 on TMDB
La principessa Bebè
In the kingdom of Culrandia (a country that must border Ruritania) King Ottocar must give his daughter’s hand in marriage to the prince of another country. Bebè, tired of waiting for her fiancé, tracks him down in Paris and brings him back to Culrandia where they are eventually married.
Rated 6.9 on TMDB
Carlo and Elisa are a successful couple. He’s a university professor and writer facing a creative block; she’s a brilliant, sharp-witted journalist, known for her internationally published editorials. They live in Rome, moving between accomplishments and routine, affection and something that might be fading. In search of new energy, they travel to Morocco with their lifelong friends, Anna and Paolo, and their thirteen-year-old daughter Vittoria—bright, curious, a little eccentric. Tensions soon rise.
Rated 6.4 on TMDB
At the end of World War II, shallow, self-centered Mara is the prettiest girl in her small Italian village; Bebo is a Communist partisan who is finding it difficult to adjust to the dull banalities of life in peacetime. When Mara’s father, a passionate Communist, declares that his daughter will marry the returning hero, her reactions range from joy to bitter resentment.
Rated 6.1 on TMDB
A young Roman woman during the 1950s is on the verge of becoming engaged to a man. She goes to Cinecittà to do an audition as an extra and is thrust into this almost infinite night during which she discovers herself.
Rated 5.9 on TMDB
American retired Judge Randall Nemes and his hired gun, Gaspar, track down a con man posing as a priest in a small Colombian town only to be thrown off-course by a scrappy 16-year-old girl intent on reuniting with her sister in the United States.
Rated 6.6 on TMDB
The legendary Roberto Duran and his equally legendary trainer Ray Arcel change each other's lives.
Rated 7.5 on TMDB
Formal portraits, bookends in this 80-year saga, enclose the central story, which opens with the baptism of Carlo, a baby in his grandfather's lap, and ends with Carlo as a grandfather with a baby in his arms. And never once do we get out of the house, whose rooms provide structure. Comfort or passion? Carlo can't really decide until it's too late.
