Rated 6.8 on TMDB
A coming-of-(old)-age story about Peter Anton, an elderly "outsider" artist living in isolated and crippling conditions whose world changes when two filmmakers discover his work and storied past. Shot over eight years, ALMOST THERE documents Anton's first major exhibition and how the controversy it generates forces him to leave his childhood home. Each layer revealed reflects on the intersections of social norms, elder care, and artistic expression.
Rated 6.1 on TMDB
From the heights of her modeling fame to her tragic death, this documentary reveals Anna Nicole Smith through the eyes of the people closest to her.
Rated 8.0 on TMDB
Through deeply personal interviews with her siblings and an examination of the photographs, letters, and belongings left behind, Mariska assembles a new portrait of her mother Jayne Mansfield, an extraordinary and complex woman.
Rated 7.2 on TMDB
In an intimate and joyful story of love in the face of loss, celebrated poets Andrea Gibson and Megan Falley find strength—and unexpected hilarity—in what might be their final year together.
Rated 6.2 on TMDB
SEDUCED AND ABANDONED combines acting legend Alec Baldwin with director James Toback as they lead us on a troublesome and often hilarious journey of raising financing for their next feature film. Moving from director to financier to star actor, the two players provide us with a unique look behind the curtain at the world's biggest and most glamourous film festival, shining a light on the bitter-sweet relationship filmmakers have with Cannes and the film business. Featuring insights from directors Martin Scorsese, 'Bernando Bertolucci' and Roman Polanski; actors Ryan Gosling and Jessica Chastain and a host of film distribution luminaries.
Rated 7.5 on TMDB
Just two years away from turning 30, participants in Michael Apted's documentary series are facing serious questions of identity and purpose, wondering whether they've found their place in the world.
Rated 7.8 on TMDB
A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
