Midtown, shot on 16mm in New York during a single day, in which the artist hired a news crew to film a specific list of coordinates in Manhattan - an index for the artist. The film depicts both the power of the corporations and the anonymity of the street framing the flux of the city.
Rated 6.9 on TMDB
In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?
