The Overwoman reworks the cinematic trope of the femme fatale to explore trans-diasporic identity in a society drifting toward fascism. By subverting Nietzsche’s Übermensch—later appropriated by right-wing ideologies—the film critiques Western exceptionalism and examines how its myths shape and discipline queer existence.
Rated 6.0 on TMDB
More interested in partying and flirting with young musicians than work, veteran rock journalist Ellie Klug has one last chance to prove her value to her magazine’s editor: a no-stone-unturned search to discover what really happened to long lost rock god, Matt Smith, who also happens to be her ex-boyfriend. Teaming up with an eccentric amateur documentary filmmaker, Ellie hits the road in search of answers.
