Ke Tidar Belay

No-nonsense comic Bill Burr takes the stage in Nashville and riffs on fast food, overpopulation, dictators and gorilla sign language.

When an upwardly mobile couple find themselves unemployed and in debt, they turn to armed robbery in desperation.

In this winsome comedy, an entitled Economics professor pursues a tactic to buy an ailing widow’s mansion for nothing, but he quickly realizes that his seemingly foolproof strategy won’t be as easy as he thought.

Nina and Allen split everything in their lives 50/50 after their break-up to avoid any drama—everything, that is, except for their favorite local bar. Nina and Allen must compete in a ridiculous, tavern-style custody battle for their prized watering hole, in which lines will be drawn, sides will be chosen, and beers will be drunken.

Gulley Jimson is a boorish aging artist recently released from prison. A swindler in search of his next art project, he hunkers down in the penthouse of would-be patrons the Beeders while they go on an extended vacation; he paints a mural on their wall, pawns their valuables and, along with the sculptor Abel, inadvertently smashes a large hole in their floor. Jimson's next project is an even larger wall in an abandoned church.

Louis C.K. muses on religion, terrorism, small towns, Florida, disabilities, dogs, Auschwitz, marriage, sex, vegans, and his personal sexual controversy, in a live performance from Washington, D.C.