"Two young Negro girls from a poor neighborhood are filmed in the course of living and of explaining themselves. Simple, fascinating, moving. Unfortunately, according to the point of view of Oberhausen, this sort of thing is considered to be not "filmic"; it is however precisely the type of human exploration that only the cinema can do." –Cahiers du Cinema, April 1965
Rated 6.7 on TMDB
As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.
