Grisaille
In GRISAILLE (which is a painterly and stained glass term referring to the use of ‘gris’: gray) we encounter five figures – all women – or as Bowes calls them ‘presenters’ who seem to overlap and know one another. They sleep, read, write and contemplate their own consciousness and rehearse their mind grammar, and contemplate paintings, gender, a Robert Duncan poem that relates to a mother as a falconress. They exist in a mysterious landscape of texture, unfathomable shapes, and extraordinary color. The tones of painters Bonnard, de Kooning, Picasso, as well as Renaissance art, have inspired the color and shape of GRISAILLE. — Anne Waldman
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Portrait of JennieFilm, 1948Rated 7.2 on TMDB
In Depression-era New York, painter Eben Adams despairs at his lack of success. One cold winter evening in Central Park, he meets enigmatic, old-fashioned Jennie Appleton, who captures his fancy when she asks him to wait for her to grow up. Soon after, Eben sells a sketch of Jennie to kindly art dealer Miss Spinny and, as he meets the oddly mutable Jennie in fleeting moments, begins to realize they share a special destiny.
