Rated 8.0 on TMDB
UFC on Fuel TV 4: Munoz vs. Weidman
UFC on Fuel TV 4: Munoz vs. Weidman was a mixed martial arts event held by the Ultimate Fighting Championship. The event took place on July 11, 2012 at the HP Pavilion in San Jose, California.
Rated 8.0 on TMDB
UFC on Fuel TV 4: Munoz vs. Weidman was a mixed martial arts event held by the Ultimate Fighting Championship. The event took place on July 11, 2012 at the HP Pavilion in San Jose, California.
Rated 6.3 on TMDB
After Margaret, a divorcée living in Dublin, loses her teenage son, she develops an unorthodox relationship with Joe, a homeless youth. Their tentative trust is threatened by his involvement with a violent gang and the escalation of her ex-husband's grieving rage.
Rated 6.7 on TMDB
One of comedian Richard Pryor's later stand-up performances. As foul-mouthed as ever, Pryor touches on most of the same topics as in his previous live shows. Filmed at the Saenger Theatre in New Orleans.
Rated 6.6 on TMDB
Warren Maxwell, the owner of a run-down plantation, pressures his son, Hammond, to marry and produce an heir to inherit the plantation. Hammond settles on his own cousin, Blanche, but purchases a sex slave when he returns from the honeymoon. He also buys his father a new Mandingo slave named Mede to breed and train as a prize-fighter.
Rated 6.6 on TMDB
Minnie Goetze is a 15-year-old aspiring comic-book artist, coming of age in the haze of the 1970s in San Francisco. Insatiably curious about the world around her, Minnie is a pretty typical teenage girl. Oh, except that she’s sleeping with her mother’s boyfriend.
Rated 6.5 on TMDB
Comedian Kevin Hart performs in front of a crowd of 50,000 people at Philadelphia's outdoor venue, Lincoln Financial Field.
Rated 7.8 on TMDB
2002 HBO Stand-up Special starring Robin Williams. Recorded and broadcast live from New York City's Broadway Theater at the culmination of his historic 2002 sold-out tour, this special finds the Oscar-winning actor/writer/comedian returning after 16 years to his stand-up roots to deliver what the Washington Post calls "...in its madcap way, a seminal cultural event."
