mise-en-scène (scene 1) is part of Standing Here Wondering Which Way to Go
Between the 1960s and the late 1980s, the Algerian film industry flourished in an anti-colonial environment, giving rise to a nation of politically aware film lovers. Since then, however, the film industry and archives in Algeria have suffered due to the political and economic situation. This short video work consists of several sequences of found footage from various militant films made in Algeria from the 1960s onwards. The archive material was edited for this show to create a new narrative. Some sequences are reminiscent of politically engaged action in this country that was one of the African nations where liberation movements flourished most freely. Other parts of the footage show traces of time as a result of the deterioration in the film’s chemical composition and emulsion, resulting in abstract images with granular textures.
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Not Quite HollywoodFilm, 2008Rated 6.8 on TMDB
As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's "Picnic At Hanging Rock," a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene's most outrageous flicks and interviews with the renegade filmmakers themselves.







