Théodore Géricault « La beauté du désastre »
By painting his monumental work The Raft of the Medusa, completed in 1819, Théodore Géricault elevated a news event to the level of modern history painting. A denunciation of cowardice, an admission of human brutality, a fascination with disaster—this ambiguous and unclassifiable work that obsessed the painter echoes one of the greatest scandals of the Restoration and, at the time, creates a new aesthetic.
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After tragedy strikes Henry and Penny, he befriends a tenacious young girl and discovers she is constructing a raft to sail across the Atlantic to find her lost father. Together, along with some unlikely friends, they set forth to construct the vessel and subsequently rebuild their lives.
