Abrigados

John Doe tell the story of a man who wakes up naked on an island off the coast of Seattle, knowing everything in the world there is to know—except for who he is and how and why he ended up there.

Apollo and Emma's love story is a fairy tale—until Emma mysteriously vanishes. Bereft, Apollo finds himself on a death-defying odyssey through a New York City he didn't know existed.

Set in a remote Alaskan town that has been overrun by paranormal forces, the series focuses on local outcast Roman Mercer who must overcome the town’s prejudices and his own personal demons if he’s to harness his repressed psychic powers and save everyone from the mass haunting that’s threatening to destroy them all.

The Hunger is a British/Canadian television horror anthology series, co-produced by Scott Free Productions, Telescene Film Group Productions and the Canadian pay-TV channel The Movie Network. Though it shares a title with the feature film The Hunger the series has no direct plot or character connection to the film, and was created by Jeff Fazio. Originally shown on the Sci Fi Channel in the UK, The Movie Network in Canada and Showtime in the US, the series was broadcast from 1997 to 2000, and is internally organized into two seasons. Each episode was based around an independent story introduced by the host; Terence Stamp hosted each episode for the first season, and was replaced in the second season by David Bowie. Stories tended to focus on themes of self-destructive desire and obsession, with a strong component of soft-core erotica; popular tropes for the stories included cannibalism, vampires, sex, and poison.

A police chief takes in a young child she finds near the site of a mysterious accident who has no memory of what has happened. The investigation draws her into a conspiracy larger than she ever imagined, and the child’s identity is at the center of it all.

Rooted in the conflict between characters connected to the deity Santa Muerte and others allied with the Devil, this saga explores an exciting mix of the supernatural and the combustible reality of 1938 Los Angeles, a time and place deeply infused with Mexican-American folklore and social tension.