Rated 9.0 on TMDB
The Tom Ewell Show
The Tom Ewell Show is an American television situation comedy that aired on CBS during the 1960-61 television season.
Rated 9.0 on TMDB
The Tom Ewell Show is an American television situation comedy that aired on CBS during the 1960-61 television season.
Rated 7.2 on TMDB
Green Acres is an American sitcom starring Eddie Albert and Eva Gabor as a couple who move from New York City to a rural country farm. Produced by Filmways as a sister show to Petticoat Junction, the series was first broadcast on CBS, from September 15, 1965 to April 27, 1971. Receiving solid ratings during its six-year run, Green Acres was cancelled in 1971 as part of the "rural purge" by CBS. The sitcom has been in syndication and is available in DVD and VHS releases. In 1997, the two-part episode "A Star Named Arnold is Born" was ranked #59 on TV Guide's 100 Greatest Episodes of All Time.
Rated 6.7 on TMDB
Gimme a Break! is an American sitcom which aired on NBC for six seasons, October 29, 1981, until May 12, 1987. The series stars Nell Carter as the housekeeper for a widowed police chief and his three daughters.
Rated 7.4 on TMDB
A former professional baseball player, along with his preteen daughter, moves into New York advertising executive Angela Bower's house to be both a housekeeper and a father figure to her young son. Tony 's laid-back personality contrasts with Angela's type-A behavior.
Rated 6.7 on TMDB
Television lawyer Dean Sanderson moves back to his small home town after his hit series, "The Grinder," is canceled thinking his time on TV qualifies him to run his family's law firm.
Rated 7.4 on TMDB
The daily trials and tribulations of handyman Tim Taylor, a TV show host raising three boys with help from his loyal co-host, domineering wife, and unseen neighbor.
Rated 7.3 on TMDB
On the Buses is a British comedy series created by Ronald Wolfe and Ronald Chesney, broadcast in the United Kingdom from 1969 to 1973. The writers' previous successes with The Rag Trade and Meet the Wife were for the BBC, but the corporation rejected On the Buses, not seeing much comedy potential in a bus depot as a setting. The comedy partnership turned to a friend, Frank Muir, Head of Entertainment at London Weekend Television, who loved the idea; the show was accepted and despite a poor critical reception became a hit with viewers.
