Fourth Estate

A veteran beat cop and teenage girl fall to their deaths from a tower block in south-east London, leaving a five-year-old boy and rookie police officer Lizzie Griffiths on the roof, only for them to go missing. Detective Sergeant Sarah Collins is drafted in to investigate, working to find Lizzie before she comes to serious harm, but also to uncover the truth behind the grisly tower block deaths.

Bad Girls is a British television drama series that was broadcast on ITV from 1 June 1999 to 20 December 2006 and starred Simone Lahbib, Mandana Jones, Debra Stephenson, Linda Henry, Jack Ellis and many more throughout the eight-year run. The series was broadcast in 17 countries and was produced by Shed Productions, the company which later produced Footballers' Wives and Waterloo Road. It is set in the fictional women's prison of Larkhall, and features a mixture of serious and light storylines focusing on the prisoners and staff of G Wing. From 2010, the UK broadcast rights were bought by CBS Drama, and is repeated regularly – as of September 2012, the channel is re-running the series again in a late-night time slot.

A routine raid led by Emer Berry, a detective in the Irish Criminal Assets Bureau, reveals that a small-time drug dealer has been receiving substantial funding from a seemingly untraceable source – not in cash, but in rough diamonds. When these diamonds are linked to a series of bombings in Belgium, Emer is forced to work with Police Commissioner Christian De Jong.

Meet the Duncans, a prominent family from Jamaica, Queens. By day, they’re an upstanding family; by night, they live a dangerous secret life.

The Rookies is an American crime drama series that aired on ABC from 1972 until 1976. It follows the exploits of three rookie police officers working in an unidentified city for the fictitious Southern California Police Department.

A heart-in-your-throat drama, Red Line begins with the mistaken shooting of a black doctor at the hands of a white cop and unfolds from the perspective of each of the families connected to the tragedy. It's a then-and-now meets us-and-them tale about the often-personal politics of crime.